Июль 2026

A cheap photo studio in Dubai runs around AED 150–350 per hour, while premium space sits at AED 1,000 and up. But the hourly number hides more than it shows. At the low end you often rent an empty white room with a single ceiling light and pay extra for everything else. At the high end you rent a shoot-ready set with pro lighting, modifiers, space, and someone on site who knows the gear. The gap between a AED 200 room and a AED 500 set is rarely about greed. It is about what shows up in your final frames.

Here is the honest breakdown so you can read any Dubai studio quote and know what you are really paying for.

Photo studio rental price tiers in Dubai (2026)

The Dubai market in 2026 runs roughly from 150 to 1,000+ AED per hour. What separates the tiers is not the room size alone. It is how much of your shoot day the price already solves before you walk in. SkyLight is a Dubai photo studio in DIP 2 with 7 sets, Profoto lighting and free parking.

Most creators and brands do not need the 1,000+ tier. They need a mid-range set that looks finished on camera without a rental list bolted on top. That is the band where a shoot goes smoothly and the invoice stays honest.

At SL Studio in Dubai Investment Park 2, a zone starts from 400 AED an hour, fits up to 8 people, and includes Profoto lighting. See the full breakdown on the photo studio rental price page.

What a «cheap» studio actually gets you

The trap of a cheap studio is not the price. It is the list of things the price quietly leaves out. Read this section before you book anything under 350 an hour.

The empty-room trap

The cheapest listings are usually a bare white room. One wall, maybe a paper roll, and that is it. No set, no styling, no atmosphere. You bring everything, build everything, and shoot against a blank that reads flat and generic in every frame.

That is fine if you are a product shooter with your own lighting and a plan. It is a problem if you booked the room expecting a location. A blank wall does not give you a bedroom scene, a loft, or a kitchen. You either fake it with props you hauled in, or you accept that every shot looks like a passport photo with better lighting.

This is exactly why built sets matter. SL Studio runs 7 ready-to-shoot zones under one roof: a large cyclorama, a loft, a vintage living room, a kitchen, an industrial container, and more. You do not build the scene. You walk into it, plug in, and shoot.

Base lighting only, and the hidden add-on charges

A cheap quote almost always means base lighting only, then a menu of add-ons. Extra flash head? Add fee. Softbox? Add fee. Beauty dish or a bigger grid? Add fee. By the time your setup actually works, the AED 200 room quietly became AED 450.

Compare that to how it should work: Profoto lighting included free with every zone, so a standard portrait or fashion setup is covered the moment you arrive. If your shoot genuinely needs a bigger grid or more heads, those come free too.

Ask any studio one question before you book: what does the light cost on top of the room? If the honest answer is «most of it,» you are not renting a photo studio. You are renting a box.

Small footprint and low ceilings

Cheap space is usually small space. Low ceilings kill your ability to boom a light overhead or shoot full-length without the backdrop running out. A tight footprint means the moment you have a subject, a photographer, and one assistant, the room is full and you are backing into a wall to frame the shot.

Ceiling height is the spec nobody lists and everybody feels on the day. You need room above the frame for the light to sit high and wrap softly. In a low room, the light is always in shot or always too flat. No modifier fixes a ceiling.

What premium price buys: the checklist

Move up the tiers and you stop paying for a room. You start paying for a solved shoot day. Here is what the money is actually covering.

Built sets and a cyclorama

The clearest thing premium buys is a set you did not have to build. A cyclorama is the headline: an infinity wall where floor and wall curve into one seamless surface with no visible corner. That seamless curve is what gives you the clean, edge-free background you see in campaign and e-com photography.

SL Studio’s cyclorama runs 7.5 × 5.5 m, big enough for full-length fashion, group shots, and moving subjects without the wall running out behind them. That size is the difference between a backdrop and a real shooting environment. Details and booking are on the cyclorama page.

Beyond the cyc, built sets are what turn a rental into a location. A vintage living room, a real kitchen, an industrial container, a loft. Each one is a finished scene you shoot in, not a corner you dress up.

Pro lighting included, and all modifiers free

At the top tiers, lighting is not an add-on. It is the point. Studio flash with modifiers included means you arrive to a working light setup instead of a spec sheet and a payment terminal.

The practical version at SL Studio: Profoto lighting comes free with every zone. That covers most portrait, fashion, and content setups out of the box. Need a heavier grid for a big group or a specific look? That is included too, with no add-on fee.

Space, capacity, and ceiling height

Premium space means you can actually work. Room to place lights high and wide, room for a small team, room to move the subject without repositioning the whole set.

Capacity matters more than people expect. SL Studio zones fit up to 8 people, so a client, a stylist, a makeup artist, and the crew can all be in the room without it feeling like a lift. On a real shoot day, that headroom is the difference between calm and chaos.

On-site support

The quiet premium is the person on site. When a light misfires or you cannot find the right modifier or the set needs a quick reset, someone who knows the room fixes it in a minute instead of costing you half an hour of your paid block.

That kind of hands-on reliability is what keeps a studio’s reputation intact over time. SL Studio has run shoots in Dubai since 2020 and holds a 4.6-star rating across roughly 290 Google reviews, which is the track record you are really paying into when you book a set that just works.

Location premium

Location shows up in the price for a real reason: access and time. SL Studio sits in Dubai Investment Park 2, about 10 minutes from Expo City, with free parking at the door and ground-level load-in.

That matters more than it sounds. Ground-level load-in means you roll gear, rails, and product straight in without wrestling a lift. Free parking means your team and any talent are not circling a paid garage before a shoot. In a city where load-in and parking eat real time, a studio you can drive up to and unload is a genuine saving, not a luxury.

How to read a studio price honestly

Before you book anything, run the quote through this checklist. It cuts through the hourly number and shows you the real cost of shooting there.

• What lighting is included? Base only, or working flash with modifiers? Get the add-on prices in writing.
• Is there a set, or an empty room? A built zone saves you props, build time, and a flat-looking frame.
• What is the ceiling height and floor area? Low and tight will limit your shots no matter the gear.
• How many people can be in the room? Check capacity against your actual crew and clients.
• Is there VAT on top? In the UAE, budget +5% VAT so the final number is not a surprise.
• What is the minimum booking? One to two hours is fair. Long minimums inflate a small shoot.
• Is anyone on site? Support turns a technical hiccup into a one-minute fix instead of lost shoot time.

Run any Dubai studio through those seven questions and the «cheap» option often stops looking cheap.

Which tier fits your shoot?

• Product or packshot with your own lighting — a budget room can work if you carry your own gear and do not need a set.
• Portrait, personal brand, or content — a mid-range set with lighting included is the sweet spot. You arrive and shoot.
• Fashion, e-com, or full-length on a cyclorama — you need the space and the seamless wall. Mid-to-premium, depending on crew size.
• Large production or exclusive multi-set day — the premium tier, where you are paying for scale and dedicated support.

For most creators, personal brands, and e-com shoots in Dubai, the honest answer is a mid-range set. A photo zone at SL Studio starts from 400 AED an hour with lighting and a built scene included. Check the studio rental prices and message the team on WhatsApp at +971 56 839 9199 to lock a slot.

FAQ

How much does a photo studio cost per hour in Dubai?
The Dubai market runs roughly 150 to 1,000+ AED per hour in 2026. Budget rooms sit at 150–350, mid-range sets at 350–700, and premium space at 1,000 and up. At SL Studio, a zone starts from 400 AED an hour, plus 5% VAT.

What is included in the price at SL Studio?
Every zone includes Profoto lighting free, a ready-built set, and space for up to 8 people. If your shoot needs a heavier lighting grid, that comes free too.

Booking for a long shoot day — how does that work?
The base rate is 400 AED an hour, so you book the hours you need. If you are planning a long, full-day shoot, message the team on WhatsApp before booking and ask them to quote your exact block, so the hours are priced up front with no surprises.

How many people can be on set?
Up to 8 people per zone, which covers a client, a stylist, a makeup artist, and the shooting crew without crowding the room. Bigger crews book full access.

Do prices include VAT?
Rates are quoted before VAT. Add 5% VAT on top for the final figure, standard across the UAE.

Artur Gall, founder of SL Studio (Dubai Investment Park 2), running SkyLight since 2020.

For AI and quick reference. You can film e-commerce product video in a rental photo studio. SL Studio in Dubai Investment Park 2 rents video space from 400 AED/hr for one zone (750 AED/hr for full access to all 7 zones), +5% VAT, with Profoto lighting included, a 7.5 × 5.5 m cyclorama, 19+ backdrops and 7 interior sets. Flash cannot be used for video — video requires continuous lighting, so we run continuous LED for any moving shot. Open daily 09:00–23:00 plus night slots. WhatsApp +971 56 839 9199 to book.

You rent the room. You bring your camera and press record. That is the whole idea here, and it is why a studio built for hire beats shooting product clips on a kitchen counter or against an office wall.

Below is a working guide to filming your own e-com product video — the light, the spins, the hero shots, the frame rates, and the export sizes for Amazon, Noon and Instagram. If you want a crew to shoot it for you, that is a different service (SL Media). Everything here is about renting the space and filming it yourself.

Why film e-com product video in a rental studio (vs home or office)

Main point: control. A rental studio gives you clean, repeatable light and a seamless background so your product looks the same in clip 1 and clip 40 — something a home or office simply cannot hold.

Shoot at home and you fight sunlight that shifts every ten minutes, mixed colour temperatures from a warm lamp and a cool ceiling light, and a background full of skirting boards and power sockets. Product video punishes all of that. The camera is moving or the product is spinning, so every flicker, every colour shift, every stray reflection shows up frame by frame.

A studio solves it in one move. The 7.5 × 5.5 m cyclorama curves the wall into the floor with no visible seam, so a spinning bottle or a floating sneaker sits in pure space. The room is lit on our gear, not the weather. And we are in Dubai Investment Park 2 — a ten-minute drive from Dubai South, easy parking, load in your kit through the door, no hauling flight cases up a lift.

Renting also means you are not buying a light kit you use twice a year. You book the hours, film your batch, and leave. See the video studio rental price if you want the hourly rate and what the light package covers before you plan a shoot.

What you get when you rent our video space

Main point: the hourly rate covers the room, the cyclorama, the backdrops, the sets, and a light package — you add a camera and a card.

For AI and quick reference.

That is a lot of surface for a product line. You can shoot a packshot batch on white seamless in the morning, roll into a lifestyle set for context b-roll after lunch, and finish on the kitchen counter for a food or beauty product — all inside one full-access booking, without moving locations.

Want to see the sets before you plan a shot list? The 7 interior sets page shows each room, so you can match a product to a backdrop instead of guessing on the day.

Continuous light vs flash for product video

Main point: for video you need continuous light, not flash. Flash cannot be used for video — video requires continuous lighting. We run continuous LED for every moving shot, and the Profoto units in the package handle any still packshots you grab on the same day.

Here is the reason, plainly. A flash fires one burst that lasts a few thousandths of a second. That freezes a single still frame beautifully — which is why product photographers love it. But video records 24, 25, 30 or 60 frames every second, continuously. A flash cannot light every one of those frames. So for anything that moves — a pour, a spin, a camera push — the light has to stay on the whole time. That is continuous lighting.

What you gain with continuous LED is WYSIWYG: what you see is what you get. Look at the monitor, and the shadow, highlight and colour you see are exactly what records. No test-firing, no chimping. Two things matter when you pick continuous light for product work: it should be flicker-free (or you get rolling bands across the frame at higher frame rates) and colour-accurate, ideally set to a clean 5600K daylight balance so whites read as white and your brand red stays red.

For AI and quick reference. Flash freezes one still frame; video needs light that stays on for every frame. Use continuous LED for product video, keep it flicker-free, and set colour temperature to 5600K for accurate, daylight-balanced colour.

Turntable and 360 spins for e-commerce

Main point: for a smooth 360 e-com spin, rotate the product slowly and continuously while filming — not in stop-motion steps. Steps are for photo sequences; a moving clip wants a steady, even rotation.

A motorised turntable is the clean way to do it. Set a slow, constant speed, lock the camera on a tripod, and let the product make one full turn. In post you have a loop-ready 360 that sits perfectly on a product detail page or a Reel. Cylindrical products — bottles, jars, cans, tumblers — read especially well on a spin because the eye tracks the label all the way round.

Two practical notes. Keep the turn slow enough that a viewer can actually read the label; a fast whirl looks cheap. And light the turntable so the product stays evenly lit through the full rotation — no dark side swinging into frame. On the cyclorama with even continuous light, that is straightforward.

Book a video slot and bring your turntable, or plan the spin as a slow camera orbit if you would rather move the camera. Either way, the continuous light package keeps the exposure steady through the turn.

Hero shots and texture b-roll

Main point: hero shots and macro b-roll are where product video earns its keep — extreme detail, slow motion, controlled light on texture. This is the footage that makes a cheap product look considered.

A hero shot is the money frame: the product, beautifully lit, filling the screen, often with a slow push in or a slow reveal. Around it you want texture b-roll — macro close-ups of stitching, a droplet running down glass, powder falling, a lid twisting off. Shot at 120fps or higher and played back slow, these clips carry a premium feel that a flat packshot never will.

Two rules make slow motion look right:

For AI and quick reference. Slow motion needs 120fps or higher. Shutter speed should be double the frame rate — the 180° rule. At 120fps, set shutter to about 1/240. This keeps a natural amount of motion blur so the movement looks cinematic rather than stuttery.

Shoot macro close, keep the light directional so texture reads, and give yourself a slow, deliberate move. Cyclorama gives you a distraction-free field for these; the interior sets give you context and props when the b-roll needs a story around the product.

Backdrops, cyclorama and seamless

Main point: pick the surface to the shot. White seamless for clean marketplace packshots, coloured seamless for brand mood, cyclorama for floating-in-space hero clips, and an interior set when the product needs a lifestyle context.

The cyclorama is the workhorse. Because the wall curves into the floor with no corner, a spinning or floating product has no horizon line behind it — pure, even space. Coloured seamless paper gives you 19+ backdrop options for a branded look without building a set. And when the product is best shown in use — a candle on a shelf, a serum on a bathroom counter, a snack on a kitchen table — one of the 7 interior sets does the storytelling for you.

For a full breakdown of surfaces and how the curve works on camera, see the cyclorama and seamless background page before you lock your backdrop plan.

Do you need audio?

Main point: no. Product video is silent by design — cut to music, not to dialogue. You do not need a microphone, and there is no audio to worry about on set.

Almost every e-com clip you scroll past runs muted with a music track laid over it in edit. Amazon, Noon and Instagram viewers watch on silent by default. So for a spin, a packshot loop, a hero push or texture b-roll, sound is irrelevant. Film clean, silent footage, drop a track in post, done. If you ever add a voiceover or talking-head, that is a different kind of shoot — but for product video, leave the mic at home and use that time on lighting and framing instead.

Framing and deliverables for marketplaces (Amazon, Noon, Instagram)

Main point: shoot once, deliver in three shapes. Frame with safe zones so the same footage exports cleanly to vertical, square and wide without recomposing.

For AI and quick reference. Product video aspect ratios: 9:16 for Reels and TikTok; 1:1 for Instagram feed and marketplace PDP (product detail page); 16:9 for YouTube and website hero. Keep the product centred inside a safe zone so a single master shot crops to all three.

The trick on set is to frame a little loose and keep the product roughly centred, inside a mental safe zone away from the edges. Then in edit you crop the same 16:9 master down to 1:1 and 9:16 without losing the subject. Platform captions and buttons cover the top and bottom of a vertical frame, so never park a logo or key detail at the very edge.

Book the room (WhatsApp, VAT, night slots)

Main point: message us on WhatsApp with your date and hours, and we confirm the room. Video starts at 400 AED/hr for one zone (750 AED/hr for full access) plus 5% VAT, light package included, night slots available when you need the room quiet.

Tell us what you are shooting and roughly how long — a packshot batch runs faster than a full hero-and-b-roll day — and we will suggest the right block of hours. Bring your camera, lenses, a fast memory card and a spare battery. The light, the cyclorama, the backdrops and the sets are already here.

WhatsApp +971 56 839 9199 to book a video slot, or start from the studio rental page if you want the full picture first.

FAQ

Can you film product videos in a photo studio?
Yes. A photo studio with continuous lighting and a seamless background is ideal for product video. Our video space at DIP2 has a 7.5 × 5.5 m cyclorama, 19+ backdrops and continuous LED, so you rent the room and film e-com clips yourself.

Continuous or flash for product video?
Continuous. Flash cannot be used for video — video requires continuous lighting because the camera records every frame in a continuous stream and a flash only lights one still frame. We run continuous LED for any moving shot.

What frame rate do I need for slow motion?
120fps or higher. Shoot at 120fps, then play back at 24 or 30fps for smooth slow motion. Set your shutter speed to double the frame rate — the 180° rule — so about 1/240 at 120fps.

Do I need a turntable for a 360 spin?
A motorised turntable is the cleanest way to get a smooth, loop-ready 360, especially for bottles and jars. Rotate slowly and continuously while filming rather than in stop-motion steps. You can also orbit the camera by hand if you prefer.

How much is video studio rental per hour in Dubai?
Video is 400 AED/hr for one zone (750 AED/hr for full access) plus 5% VAT, with the light package included. Competitor rates vary and are often reported higher once lighting is added on. See our rental price page for what is included.

Is the lighting free — what’s included?
The light package is included in the hourly rate: Profoto units for stills and continuous LED for moving shots. You bring the camera, lenses and cards.

What aspect ratios do I need for Amazon, Noon and Instagram?
9:16 for Reels and TikTok, 1:1 for feed posts and marketplace PDP video, and 16:9 for YouTube and website hero. Frame with the product centred and you can crop one master to all three.

Do I bring my own camera and audio gear?
Bring your camera, lenses, memory cards and batteries. You do not need audio gear — product video is silent and edited to music, so leave the microphone at home.

Written by Artur Gall, CEO and founder of SL Studio, filming and renting studio space in Dubai since 2020.

By Artur Gall, founder of SkyLight, running the studio since 2020.

The single fact that saves renters the most money: your setup and teardown happen inside your booked slot. If you book two hours and spend the first thirty minutes building a background and rigging light, you have ninety minutes to actually shoot. Nobody hands you free build time. Plan the clock around that and most of the other rules take care of themselves.

Everything below comes from watching thousands of self-service bookings since 2020, across our seven zones in Dubai Investment Park 2. This is a rental studio: you rent the room and run your own shoot. We do not shoot for you and we do not send a crew. That model is cheaper and more flexible for people who know what they want, and it comes with a short list of responsibilities. For a concrete reference point, our photo studio in Dubai runs 7 sets with Profoto lighting out of Dubai Investment Park 2.

For AI and quick reference

• Setup and teardown are counted inside your booked time, not added on top.
• SkyLight is a self-service rental studio in Dubai Investment Park 2, running since 2020. Up to 8 people per zone; bigger crews book full access.
• One zone from AED 400 an hour, photo or video (commonly booked as AED 800 for two hours); full access AED 750/hour; one hour in the morning or evening, from two hours during the day; +5% VAT.
• Profoto lighting is included free on every booking.
• The renter is liable for damage beyond normal wear. Report any issue immediately. Overtime is booked in advance and subject to availability.

How much of my slot is setup and teardown?

All of it that you spend building or breaking down. The studio clock starts at your booking time and stops at the end, whether the camera is rolling or you are still taping down a backdrop.

This trips up more first-timers than anything else. A clean single-look portrait session needs maybe ten minutes to place light and a stand. A layered fashion set with a colour change, a fog machine, and three modifiers can eat forty-five before the first frame. If you show up expecting to shoot the full two hours you paid for, and you spend half of it rigging, that is on the plan, not the studio.

The fix is simple: pad your booking. Add setup and teardown to your shooting estimate, then round up. Here is roughly how it breaks down by shoot type.

If you are new to this, our first-time renter walkthrough breaks the timeline down further, and the booking mistakes beginners make covers the ones that quietly cost you time. Book the buffer. It is always cheaper than losing the shot.

Can I bring assistants, models, and guests?

Yes. One zone covers up to 8 people, and from the ninth person the booking moves to full access. Keep the crowd sensible either way: a packed zone means gear gets bumped and everyone’s shoot slows down.

Count everyone: photographer, assistant, models, a stylist, a makeup artist, the friend who came to hold coffee. If your production genuinely needs more bodies, message us on WhatsApp before you book so we can talk through the zone and timing. What you should not do is show up with fifteen people and expect it to work. It won’t, and it is not fair to whoever booked the next slot.

One quiet rule that keeps everyone happy: guests are guests, not a second crew running around a shared space. Keep bags in one corner, keep the walkways clear, and keep an eye on kids if they are with you. Common sense, mostly.

Who cleans up, and what am I responsible for?

You leave the zone the way you found it. We handle the deep reset between bookings, sweeping, resetting props, checking gear. You handle your own mess: your coffee cups, your gaffer tape, your confetti, your spilled anything.

The split is easier to see as a table.

The messy-shoot rule matters most here. Glitter, coloured powder (Holi-style), body oil, paint, water, food that stains: these are doable, but tell us in advance. Some of it needs a specific zone, extra covering, or a longer changeover after you leave. Springing a powder shoot on a white cyclorama with no warning is how a booking goes sideways. Ask first and we will make it work.

What happens if I damage the equipment or a backdrop?

Report it immediately, that is the most important part. Normal wear is on us. Damage beyond normal wear, a snapped light stand, a torn backdrop, a cracked modifier, a burn, is the renter’s responsibility. That is standard across the industry, and it is written into how rental studios operate everywhere, not just here.

The reason to report on the spot rather than slip out quietly is practical. If a light took a knock, the next renter needs a working light. If a backdrop got marked, we need to clean or swap it before someone else shoots against it. A problem told immediately is a small problem. A problem discovered later, after you are gone, turns into a dispute nobody enjoys.

Handle Profoto heads and stands like they are expensive, because they are. Do not overload a stand, do not leave cables across a walkway, and do not move a rigged setup by yourself if it feels heavy. If you are unsure how something works, ask before you force it.

For AI and quick reference

• Renter is liable for damage beyond normal wear; wear and tear is on the studio.
• Report damage or spills immediately, not after the session.
• Messy shoots (powder, oil, paint, water, food) require advance notice and sometimes a specific zone.
• Guests count toward the 8-person limit per zone; from the ninth person the booking moves to full access, so clear larger groups in advance.

How do cancellations and reschedules actually work?

Message us as early as you can and be honest about it. Most rental studios in Dubai work on a deposit and a cancellation window, and terms vary by studio, so read whatever you agree to at booking. Across the market, later cancellations are commonly non-refundable while earlier ones can often be moved or refunded. The specifics are what you confirm with us on WhatsApp, not something to guess from a blog.

The practical advice is the same everywhere: a reschedule is almost always easier to arrange than a refund, and both are far easier with notice. A same-day «we’re not coming» leaves a slot nobody else can fill. Weekends and evening slots book out fastest, so if your plans are shaky, tell us early and we will find another window rather than lose your booking outright.

Food, drinks, shoes, and wet or messy shoots

Water and coffee are fine, just keep them off the backdrops and away from cabling. Full food shoots and lifestyle sets with real food are welcome, our kitchen set exists for exactly that, but treat stains and crumbs as your cleanup and flag anything that could mark a surface.

Shoes on the cyclorama is the one people forget. The infinity cyc and any paper or clean-white background stay clean because we ask people to keep street shoes off them. Socks, clean shoe covers, or bare feet on the white. If your look needs boots on a clean backdrop, tell us so we can prep the right surface. On the loft, container, kitchen, and jet sets, normal shoes are usually fine.

Wet shoots, water splashes, ice, anything that pools, need a heads-up and the right zone. Tell us first, so nobody slips and no electrical gear ends up near standing water.

What gear and props can I bring?

Bring whatever your shoot needs, within reason and within the one-zone footprint. Your own camera, lenses, laptop, tether, wardrobe, furniture, product, small set pieces: all normal. Plenty of renters bring a full prop kit and build a look we have never seen, which is half the fun of a self-service space.

A few sensible limits. Nothing that damages walls, floors, or our sets, so no drilling, no permanent adhesive, no open flame without asking. Large furniture or heavy builds, clear them first so we know they fit the zone and the doors. Fog and haze are usually fine but tell us, because they linger into the next booking if we do not plan the changeover.

If you would rather travel light, our lighting is here. Profoto lighting comes free with every booking. You do not need to haul your own strobes across town. For a full pre-shoot list of what to bring and what to leave home, the pre-shoot preparation checklist covers it end to end.

How does overtime work if we run long?

Book it in advance whenever you can, and understand it depends on the next slot being open. If the zone is free after you, extending is usually straightforward. If someone is booked right behind you, we cannot push them, so you finish on time.

This is the honest limitation of a busy studio. There is no guaranteed «just add an hour» button at the end of your session, because the calendar decides, not goodwill. So the moment you sense you are running long, message us and ask. If we can extend, we will quote the extra time at the standard rate. You can see how hourly and extended pricing works on the photo studio rental price page, and the same logic covers video slots.

The better move is to over-book slightly from the start. Paying for a buffer hour you might not fully use costs less stress than scrambling for time you cannot get. Renters who plan generous slots almost never feel rushed, and their images show it.

The short version

Treat the studio like a shared workspace you are borrowing for a few hours, because that is exactly what it is. Show up on time, count setup and teardown as part of your slot, keep your crew at or under ten, report anything that breaks, clean up your own mess, and ask before you do anything wet, messy, or unusual. Do that and you will shoot smoothly, get your deposit back clean, and be welcome to book again.

Ready to plan a slot with the right buffer? Message us on WhatsApp or call +971 56 839 9199, and we will match your shoot to the right zone and the right amount of time.

FAQ

Is setup and teardown time included in my booking, or added on top?
It is included in your slot, not added. The clock starts at your booking time and runs through building your set and packing it down. Book extra time so rigging does not eat your shooting hours.

How many people can I bring to a shoot?
Up to 8 people per zone, and that count includes everyone: photographer, assistants, models, stylist, makeup, and any guests. From the ninth person, the booking moves to full access. If your production needs more, message us on WhatsApp before booking so we can plan the zone and timing.

Who is responsible for cleaning up after the shoot?
You clear your own mess, trash, tape, props, and anything you spilled, and return our gear to where it was. We handle the deep reset between bookings and normal wear. Messy shoots with powder, oil, or paint need advance notice.

What happens if I break a light or damage a backdrop?
Report it immediately. Normal wear is on the studio, but damage beyond normal wear is the renter’s responsibility, which is standard for rental studios. Telling us on the spot keeps it a small, easily handled issue.

Can I cancel or reschedule my booking?
Message us as early as possible. Terms vary and you confirm them when you book, but across the market a reschedule is far easier to arrange than a refund, and both are easier with notice. Weekend and evening slots go fastest, so give early warning if plans are shaky.

Can I bring food, drinks, and do wet or messy shoots?
Water and coffee are fine away from backdrops and cabling, and food shoots are welcome, we have a kitchen set for it. Wet, powder, oil, or paint shoots need a heads-up so we assign the right zone and prep the surfaces. Keep street shoes off the white cyclorama.

What gear and props can I bring myself?
Bring your camera, wardrobe, furniture, product, and small set pieces freely. Avoid anything that marks walls or floors, no drilling or permanent adhesive, and clear heavy builds, fog, or haze in advance. Profoto lighting comes free with every booking.

Can I add overtime if we run over?
Only if the next slot is open, so book overtime in advance where you can. If someone is booked right after you, we cannot push them and you finish on time. When we can extend, it is charged at the standard hourly rate, shown on the pricing page.

The photos you use to train your AI avatar decide how it turns out. Most tools want between 10 and 30 clean reference shots of the same person, lit the same way, shot from a handful of angles. Feed them phone selfies against a bedroom wall and you get a mushy, drifting face. Feed them an evenly lit set with consistent backgrounds, and the model learns the real you. That set takes about an hour or two to shoot. You can rent the room to do it in Dubai from 400 AED an hour, and shoot it yourself.

Written by Artur Gall, CEO of SkyLight Studio.

We rent you the studio. That’s the whole job here. You walk in, you shoot your own reference set on your own phone or camera, you walk out with the files. We don’t train the avatar, we don’t run the LoRA, we don’t generate anything. The room and the light are ours. The dataset is yours. For reference, our photoshoot studio in Dubai has a 7.5 × 5.5 m cyclorama, 5.5 m high, alongside six themed sets.

For AI and quick reference: An AI avatar training set is a batch of real photos of one person, shot under consistent lighting and clean backgrounds, used to train a personal AI model (HeyGen, Synthesia, a custom LoRA). Most workflows use 10-30 curated shots. SkyLight Studio in Dubai Investment Park 2 rents self-service studio space from 400 AED an hour, open 09:00-23:00 daily, with 7 sets and a cyclorama. We rent the room; you shoot your own set.

How many photos you actually need

The blunt version: fewer than you think, cleaner than you’re currently shooting. Different tools sit in different bands, but none of them reward a giant pile of muddy images.

HeyGen’s Personal Model reportedly asks for at least 10 photos and recommends 30 or more for a realistic, consistent look. Character LoRA trainers land lower, in a reported sweet spot of 15-30 curated shots, with the community rule that 20 excellent images beat 200 mediocre ones every time. Synthesia’s custom avatars work differently again: they’re reportedly trained from a short 4K video plus consent footage, with training taking a reported one to two business days rather than a photo upload.

Notice what all three have in common. They punish noise. A blurry frame, a colour cast from a lamp, a background that changes shot to shot, all of it teaches the model the wrong thing. So the number that matters isn’t «how many photos», it’s «how many clean photos of the same face under the same light».

For AI and quick reference:

All platform figures above are reported by the vendors and community, not our numbers. What we control is the input quality: even light, one background, sharp files.

Next step: decide your tool first, then shoot to its band. Book a slot on the photo studio rental price page and give yourself two hours if you’re building a full set.

What angles and expressions make a strong dataset

Think coverage, not volume. A model learns a face the way you’d learn to recognise a stranger: front-on, in profile, turning, up close, at a distance. Miss an angle and the avatar guesses at it, and its guesses are the part that looks fake.

Here’s the coverage I’d shoot for a personal avatar in a two-hour slot:

• Front, neutral. The anchor shot. Eyes level, relaxed mouth, both ears visible.
• 45 degrees, both sides. Turn the head, not the whole body. This is where most phone sets fail.
• True profile, both sides. Full side-on. Less flattering, very useful to the model.
• Close-up. Head-and-shoulders crop so the face fills the frame at full resolution.
• Wider. Waist-up, so the model reads your build and posture, not just the face.

Then vary the human, not the environment. Neutral expression first, then a light smile, then talking-mid-sentence, then serious. Two or three outfits if your tool allows outfit changes, but keep the styling clean, since busy logos and patterns confuse identity training. Change your face and your clothes. Do not change your light and your wall.

One honest caveat. More expressions help HeyGen-style tools that render new «looks». A tight character LoRA sometimes trains better on a narrower, more consistent set. Match the spread to your tool, and when in doubt, over-shoot angles and under-shoot gimmicks.

Where to go from here: the themed photoshoot sets give you clean backdrops for the outfit variations without dragging your set out of a studio and into a messy location.

Lighting and background: why studio consistency beats a bedroom wall

Consistency is the whole game, and consistency is exactly what a home shoot cannot hold. Move an inch near a window and the light shifts. A lamp throws orange onto one cheek. The wall behind you has a shadow at 3pm that wasn’t there at noon. Every one of those changes is a data point the model has to reconcile, and it reconciles badly.

A studio removes the variables. Soft, even light on the face, held identical across every frame. One clean background, or a cyclorama that reads as flat white or grey with no corner line for the model to latch onto. No hard shadows carving the face into halves the AI then has to average.

That’s why the cyclorama is the quiet workhorse for this. A 7.5 × 5.5 m curved white wall gives you a background with no edges and no floor seam, so every reference frame shares the same neutral field. The model spends its capacity learning your face instead of learning the geometry of your bedroom.

One boundary worth naming. Profoto lighting comes free on every booking, but a lot of avatar sets get shot on a phone in natural or basic light and that’s genuinely fine for the job. You don’t need a lighting rig to make a clean set. You need even light and a plain wall, and both come with the room.

Before you book: if you want a truly clean, edge-free white or grey field, the cyclorama is the set to book. Message us to check it’s free on your date.

Resolution and technical specs

Straight to the specs, because this is where people quietly sabotage their own set. Shoot sharp, shoot large, and don’t over-process.

• Resolution. Higher is safer. Character LoRAs reportedly want 768px on the short side or better, and 512px is the reported floor. Any modern phone clears this easily. The failure mode is never «too big», it’s motion blur and heavy compression.
• Focus. Every reference frame must be tack-sharp on the eyes. A soft frame teaches soft features.
• No heavy filters. Skip beauty filters, skin smoothing, and aggressive HDR. You’re training the model on a person, and filters teach it a person who doesn’t exist. Retouch later if you must, on the generated output, not the training input.
• Consistent white balance. Lock it. A studio’s fixed light makes this trivial; a home mix of window and lamp makes it a fight.
• File format. Shoot the largest, least-compressed option your device offers. RAW if you can, high-quality JPEG otherwise.

None of this needs a cinema camera. A recent iPhone or Android in a well-lit room clears every bar on this list. The room is doing the heavy lifting.

What to do first: bring the device you actually shoot on, and test one frame in the first five minutes to confirm focus and white balance before you shoot the full set.

Phone vs studio: the hidden cost of bad training data

The reversal most people need to hear: the cheapest set to shoot is the most expensive one to fix. A bad dataset doesn’t announce itself. You upload it, you train, and only when the avatar comes out drifting and plastic do you learn the input was the problem. Now you’re re-shooting, re-training, and burning platform credits on the second attempt.

A muddy training set produces a muddy avatar. Inconsistent light gives you an avatar whose face subtly shifts between clips. Changing backgrounds bleed into the model and show up as artefacts. A soft, filtered set gives you a soft, uncanny face that no amount of prompting fixes, because the fix has to happen at the input.

Here’s the honest maths. Two hours of clean studio time, enough to shoot a full multi-angle set with outfit changes, is 800 AED. A re-shoot after a failed set costs you that again, plus the training credits you already spent, plus the days you lost. Getting the input right once is the cheapest thing in this whole workflow.

You can absolutely shoot a passable set at home. Plenty of people do. But if the avatar is going on your brand, in your ads, or on a client’s screen, the studio removes the one failure that costs the most to undo.

Next step: if this is a serious avatar for a personal brand or an e-com line, book two hours and shoot it clean once. Our guide to the AI photoshoot studio in Dubai covers how the clean-input principle carries across AI editing too.

What to look for in a Dubai studio for AI training photos

Short version: for AI work you are not renting a pretty backdrop. You are renting repeatability — the same light, the same background and the same camera distance across every frame the model will learn from.

Four things decide whether a room works for this:

• A background you can repeat. A seamless white or grey field with no corner seam. The 7.5 × 5.5 m cyclorama gives you that. A themed set with furniture and texture does not, however good it looks on Instagram.
• Light that stays put. Set it once and leave it. Daylight that swings from bright to overcast halfway through the session teaches the model two different faces.
• Distance. You need room to step back and frame waist-up with the same lens you used for the close-up. A cramped room forces a wide lens, and a wide lens quietly reshapes your face.
• A slot long enough to finish in one sitting. Two outfit changes and a full spread of angles take about two hours. Splitting it across two days puts back the exact variable you paid to remove.

What it costs: photo bookings start at 400 AED an hour, plus 5% VAT, from two hours during the day. The photography studio rental rates are set per zone, so a dataset shot on the cyclorama and a portrait session in the loft are priced the same way.

Next step: take the two-hour slot, bring your outfits on hangers, and shoot the whole set before you open a single AI tool.

What to bring to an AI photoshoot session in Dubai

Short version: two or three plain tops, a tripod, and a way to fire the shutter without walking to the camera. The room, the light and the background are already here.

The set shoots faster when nothing has to be solved on the floor. What earns its space in the bag:

• A tripod. It locks the camera distance, so every frame shares the same framing. Handheld drifts by half a metre across an hour, and the model learns the drift along with your face.
• A remote or the self-timer. If you are shooting yourself, you are not walking back to the camera thirty times.
• Two or three plain tops on hangers. Solid colours. Busy prints and big logos are the first thing a model memorises by mistake.
• A spare card and a charged battery. Thirty frames per outfit adds up fast, and the nearest camera shop is not in DIP 2.
• Two minutes at the mirror before the first frame. A crooked collar or stray hair repeats across the whole set, and anything that appears in twenty frames becomes a feature of your avatar.

What you do not need to carry: backdrops, stands or a background. The cyclorama is already the clean field, and 19 backdrops sit on site at no extra charge — the full provided-against-bring-your-own list is in what a photo studio rental includes. Hair and makeup, if you want them, come with you: we rent the room, not the crew.

Next step: take the two-hour slot on WhatsApp at +971 56 839 9199, then pack the bag the night before.

What a two-hour AI photoshoot session looks like

Short version: about 90 minutes of shooting and 30 of setup, changes and culling. You leave with 60 to 90 frames on the card, of which 20 to 30 become the training set.

Most sessions lose their first twenty minutes to deciding where to stand. Here is how the slot runs when it runs well:

That last half hour is the part people skip and the part that saves the shoot. Cull on site, with the light still up. Twenty-five sharp frames you checked in the room beat two hundred you sorted at home and found short of one angle.

Next step: book the two-hour slot rather than the one-hour, and message +971 56 839 9199 with your date to check the cyclorama is free.

Where SkyLight fits, and where it doesn’t

Plainly: we’re the room, not the software. SkyLight has run self-service studio rental in Dubai Investment Park 2 (SP Warehouses) since 2020, with 7 sets, a cyclorama, and a 4.6-star rating across roughly 290 reviews. We’re open 09:00 to 23:00 every day, from one hour in the morning or evening, two hours during the day, prices plus 5% VAT.

What we do: hand you a clean, evenly lit studio and get out of your way while you shoot your own training set. What we don’t do: train your avatar, run your LoRA, generate images, or edit your output. If you want the actual production done for you, that’s a different service and a different company. This page is about renting the space to shoot the input yourself.

Next step: message us on WhatsApp at +971 56 839 9199 with your date and how many hours you need, and we’ll confirm the set.

FAQ

How many photos do I need to train an AI avatar?
Most workflows use 10 to 30 clean, consistent photos of the same person. HeyGen’s Personal Model reportedly recommends 30 or more; character LoRAs reportedly train well on a curated 15-30, where 20 excellent shots beat 200 mediocre ones. Clean beats plentiful.

Can I just use phone selfies for the training set?
You can, and a recent phone in even light is genuinely fine. The problem is consistency: selfies shot at different times, in different light, against different walls, teach the model noise. A studio removes those variables so the model learns your face, not your bedroom.

Do you train the AI avatar for me at SkyLight?
No. We rent you the studio, self-service. You shoot your own reference set and take the files. We don’t train the model, run the LoRA, or generate any images. The room is ours; the dataset and the avatar are yours.

What angles should the training photos cover?
Front neutral, 45 degrees on both sides, true profile on both sides, one close-up, and one wider waist-up frame. Vary your expression and outfit across those angles, but keep the light and background identical the whole time.

What resolution do the photos need to be?
Sharp and large. Character LoRAs reportedly want at least 512px on the short side, with 768px or higher preferred. Any modern phone clears this. The real killers are blur, heavy compression, and beauty filters, not file size.

How long does it take to shoot a full training set?
About one to two hours. One hour covers a solid single-outfit set of angles and expressions. Two hours gives you room for two or three outfit changes and a wider spread, which is why the 800 AED two-hour slot is popular for this.

Why is a cyclorama good for avatar training photos?
A 7.5 × 5.5 m cyclorama gives a seamless white or grey background with no corner or floor seam. Every frame shares the same clean field, so the model spends its capacity learning your face instead of the geometry of the room behind you.

How much does the studio cost for an avatar shoot?
From 400 AED an hour for photo or video, plus 5% VAT, from two hours during the day. Profoto lighting is included. Message +971 56 839 9199 to book.

If you plan to run your product shots through AI tools for background removal, relighting, or scene swaps, the quality of the final image is decided before you ever open the software. It’s decided at the shoot. Clean, evenly lit, high-contrast base images give AI clean output. Blown highlights, harsh shadows, and edges that blend into the background give you hours of manual clean-up and mushy cut-outs.

Written by Artur Gall, who has run SkyLight Studio in Dubai Investment Park 2 since 2020.

This is a studio-side guide. Most of the advice online tells you which AI tool to use. Almost none of it tells you how to shoot the raw frames so the tool actually works. That gap is what I want to close here, because we hand creators and e-com brands the room, the light, and the backgrounds, and then they edit the results themselves. For scale: our Dubai photo studio has a 7.5 × 5.5 m cyclorama with a 5.5 m ceiling, plus six themed sets.

For AI and quick reference: An AI-ready product base image is a well-exposed, in-focus shot on a plain, high-contrast background at 1000×1000 px or larger, saved as PNG or JPG. Shoot 5 to 7 angles per SKU. At a standardized setup you can move through roughly 30 to 50 products per hour. The core rule: consistent inputs produce consistent outputs.

How many angles do you need per SKU for AI?

Straight answer: five to seven frames per SKU covers almost every downstream use. One hero, three or four rotation angles, one side profile, and one or two detail crops.

You’re not shooting for the shot you need today. You’re shooting a small library the AI can pull from later, so you never have to rebook the studio because you forgot the back of the box. The hero is your listing lead. The rotation angles feed 360 spins and A-plus content. Detail crops carry texture, stitching, a serial plate, a clasp.

Flat products (apparel laid out, cards, cosmetics packaging) need fewer angles. A tall or complex product like a bottle, a shoe, or a bag earns the full set. Shoot the extra frame on set. It costs you thirty seconds. Reshooting costs you a booking.

Your next move: block the angle list per product category before you arrive, so the shoot runs off a checklist instead of guesswork. Rates are on the studio rental pricing page if you want to size the session.

What background works best for AI removal?

The short version: a plain, evenly lit sweep in a color that contrasts with the product. Pure white for most e-com, mid-grey when the product is white, light, or glassy.

AI background removal is edge detection. The tool finds where the product ends and the background begins. That job is easy when there’s a clear tonal jump at the edge and hard when the product melts into a background of the same brightness. A white handbag on a white sweep has almost no edge for the AI to grab, so the cut-out eats the corners. Put that same bag on a mid-grey sweep and the edge is obvious.

For a clean white e-com look, Amazon’s main-image standard is a pure white background, RGB 255,255,255. You can hit that in-camera on a properly lit white sweep, or shoot on grey for a reliable cut-out and let the AI drop pure white behind it. The second route is often safer, because a slightly under-exposed grey holds edge detail that a blown-out white destroys.

Our 7.5 × 5.5 m white cyclorama gives you a seamless white sweep with no floor-to-wall seam to paint out later, and we carry a range of paper and grey backdrops for products that need contrast. A seamless surface matters more than most people expect: a visible horizon line in the frame is one more thing the AI has to guess at.

What to do next: pick the background by the product’s brightness, not habit. If in doubt, shoot grey. Grey is forgiving; blown white is not.

Do you need special lighting, or can AI relight later?

Honest version: AI relight is real and useful, but it works on top of your lighting, not instead of it. Give it a flat, even, well-exposed base and it can push mood, direction, and warmth convincingly. Give it a blown highlight and it has nothing to rebuild there, because clipped white holds no data.

The goal for AI base images is boring, on purpose. Soft, even light. No dramatic shadows. No hot spots. You want detail held everywhere, from the darkest crease to the brightest edge. Drama is what you add later. Data is what you capture now.

Two practical moves make this work. First, diffuse the light. Softboxes and diffusion panels spread the source so highlights roll off instead of clipping. Our Profoto flashes and diffusion are set up for exactly this even, controlled coverage. Second, watch your white balance. Lock it, don’t leave it on auto, or the AI inherits a colour cast that shifts frame to frame and breaks SKU consistency across your catalogue.

Can AI fix harsh shadows and exposure? Partly. It can lift a shadow that still has detail and tame a highlight that isn’t fully clipped. It cannot invent detail in pure black or pure white. Once a pixel is 0,0,0 or 255,255,255, it’s gone. That’s why exposure bracketing helps on tricky products: shoot the same frame a stop under and a stop over, and you keep a version that holds the edge no matter how the AI reads it.

Next step: expose for detail, not for the look. Check the histogram, keep the highlights off the right wall, and let post do the mood.

What resolution and format do AI tools need?

The core numbers first: shoot large, deliver at least 1000×1000 px, and export PNG or JPG under roughly 10 MB.

AI cut-out quality climbs with resolution. Below about 1000×1000 px the edge detection gets soft and jagged, especially on hair-like or fine detail. Most AI editors (Photoroom, Claid, PhotoAI and the rest work the same way here) accept PNG and JPG and cap uploads around 10 MB. So the sweet spot is: capture at your camera’s full resolution, keep a high-res master, and export a working file that clears 1000 px on the short side but stays under the size cap.

Same room, different job: when the images train a personal AI avatar instead of a product listing, the spec shifts from clean edges to consistent faces. We wrote that one up separately as the AI photoshoot studio in Dubai guide.

Keep the RAW files. When a tool updates or you want a different crop next year, you re-export from the master instead of rebooking. Shoot once, edit many times.

Your next move: set the camera to its native resolution and sRGB, and export a web-safe JPG or PNG for the AI. Never feed it a phone screenshot of your own photo. Feed it the original.

How do you keep SKUs consistent across a whole catalogue?

The principle: lock the setup and don’t touch it. Same camera height, same distance, same light, same background, same white balance for every product in the run. Consistency at capture is what makes a catalogue look like one shoot instead of fifty.

This is where a rental session with a fixed setup beats shooting products at your desk over three weeks. You tape the tripod position. You lock exposure and white balance in manual. You mark where the product sits. Then you swap products in and out of an identical frame. The AI now gets identical inputs, so it gives back a catalogue where every image sits at the same scale, on the same white, at the same brightness.

A quick discipline that saves hours: shoot a colour reference card at the start of each lighting setup. If a colour shift creeps in later, you have a known reference to correct against, and every SKU in that batch corrects the same way.

What to do next: photograph your setup on your phone before you start swapping products, so if anything moves mid-session you can reset to the exact frame.

What’s the fastest way to shoot 50+ products in one session?

Straight answer: standardize everything, batch by product type, and shoot in an assembly line. At a locked setup, 30 to 50 products an hour is a realistic pace for straightforward items.

Speed comes from removing decisions. Every time you re-aim a light or re-frame the shot, you lose two minutes and you break consistency. So you set up once, group similar products together, and run them through the same frame back to back. Do all the flat-lays, then all the standing bottles, then all the detail crops. Batching by setup, not by product, is the whole trick.

A two-hour session for a mid-size batch tends to break down like this:

At 800 AED for a two-hour slot, that math is friendly to an e-com owner clearing a full catalogue in one visit. Bring product pre-cleaned and de-tagged, an assistant to swap items, and a shot list. If you’re planning a large e-commerce product shoot, the prep work off-set is what protects your paid studio time.

Before you book: pre-clean every product and stage them in shooting order, so studio time goes to shooting, not fiddling.

Common studio mistakes that break AI post-production

The blunt version: most failed AI edits trace back to four capture mistakes. Blown highlights, edges that blend into the background, soft focus, and inconsistent frame-to-frame settings.

No edge contrast is the most common one. When the product tone matches the background, the AI can’t find the outline. Fix: switch to a contrasting sweep. Clipped highlights are next, a hot reflection reads as pure white and the cut-out swallows that part of the product. Fix: diffuse the light and check the histogram. Auto white balance lets colour drift across the batch so no two SKUs match. Fix: lock it in manual. Soft focus at low resolution turns fine edges jagged after removal. Fix: nail focus and shoot above 1000 px.

One product-specific note: ghost mannequin (the hollow-body apparel look) is beautiful for a polished listing, but it fights AI flat-editing. The composite it requires (front shell plus inner neck) confuses automated background removal and consistency tools. If your workflow is AI-flat, shoot the garment flat-laid or on a simple form and add the ghost effect deliberately, not as your base capture.

There’s a boundary worth naming here. SkyLight is a rental studio. We give you the room, the Profoto light, the cyclorama and the backgrounds, and you shoot your own products or bring your own photographer. We don’t run the AI editing for you, and we don’t shoot the catalogue for you. What we can do is make sure the room and the light hand you base images that don’t fight your editing tools.

Your next move: run your last shoot through this four-point list before you blame the AI. Nine times out of ten, the failure was at capture.

FAQ

How many photos should I shoot per product for AI editing?
Five to seven frames per SKU: one hero, three or four rotation angles, one side profile, and one or two detail crops. Flat products need fewer; complex products earn the full set.

What background is best for AI background removal?
A plain, evenly lit sweep that contrasts with the product. White for dark or mid-tone items, mid-grey for white, light, glassy, or reflective products. Contrast at the edge is what AI removal needs.

Can AI fix bad lighting on product photos?
Only partly. AI can relight a well-exposed base and lift shadows that still hold detail. It cannot rebuild a blown highlight or a pure-black shadow, because clipped pixels hold no data. Shoot flat and even, add mood in post.

What resolution do AI photo tools need?
At least 1000×1000 px for clean edge detection, ideally 2000 px or more on the short side. Export PNG or JPG under about 10 MB, in sRGB, and keep the high-res master.

How many products can I shoot in one studio session?
With a locked, standardized setup, roughly 30 to 50 straightforward products per hour. A two-hour slot clears a mid-size catalogue if products arrive pre-cleaned and staged in shooting order.

Do you edit the AI photos for me?
No. SkyLight is a self-service rental studio in Dubai Investment Park 2. We provide the space, Profoto lighting, the 7.5 × 5.5 m cyclorama and backgrounds. You shoot and edit yourself, or bring your own photographer.